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	<title>Arts Advocacy BC &#187; Popular culture</title>
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	<description>4.4 Million Reasons to Support the Arts</description>
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		<title>Why art? Milton Glaser says it so beautifully</title>
		<link>http://www.artsadvocacybc.ca/why-art-milton-glaser-says-it-so-beautifully/</link>
		<comments>http://www.artsadvocacybc.ca/why-art-milton-glaser-says-it-so-beautifully/#comments</comments>
		<pubDate>Sat, 12 Mar 2011 14:41:00 +0000</pubDate>
		<dc:creator>John McLachlan</dc:creator>
				<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Popular culture]]></category>
		<category><![CDATA[Milton Glaser]]></category>

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		<title>CULTURAL DEMOCRACY</title>
		<link>http://www.artsadvocacybc.ca/cultural-democracy/</link>
		<comments>http://www.artsadvocacybc.ca/cultural-democracy/#comments</comments>
		<pubDate>Sun, 18 Jul 2010 15:41:36 +0000</pubDate>
		<dc:creator>Tom Durrie</dc:creator>
				<category><![CDATA[Democracy]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Popular culture]]></category>
		<category><![CDATA[American Folklife Center]]></category>
		<category><![CDATA[Bau Graves]]></category>

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		<description><![CDATA[AABC  board member Lynn Curtis sends us the following. We&#8217;d be interested in hearing your thoughts. Subject: AFC Lecture: Cultural Democracy in a Time of Diminished Resources The American Folklife Center presents a lecture in the 2010 Benjamin Botkin Folklife Lecture Series Cultural Democracy in a Time of Diminished Resources presented by Bau Graves, Old [...]]]></description>
			<content:encoded><![CDATA[<p><em>AABC  board member Lynn Curtis sends us the following. We&#8217;d be interested in hearing your thoughts.</em></p>
<p><strong><span style="text-decoration: underline;">Subject: AFC Lecture: Cultural Democracy  in a Time of Diminished Resources<br />
</span></strong><br />
The American Folklife  Center presents a lecture in the 2010 Benjamin<br />
Botkin Folklife Lecture  Series</p>
<p>Cultural Democracy in a Time of Diminished  Resources</p>
<p>presented by Bau Graves, Old Town School of Folk Music,  Chicago</p>
<p>July 22, 2010, 12:00 noon &#8211; 1:00 pm<br />
Mary Pickford Theater, 3rd  Floor, James Madison Building, Library of<br />
Congress</p>
<p>Simply stated,  &#8220;Cultural Democracy&#8221; is the notion that everybody&#8217;s<br />
heritage and cultural  expression is worthwhile and deserving of an<br />
equitable share of whatever  resources are available. In recent years,<br />
Cultural Democracy has also gained  traction as a descriptor for the<br />
whole realm of participatory,  community-centered arts activities,<br />
practiced by millions of Americans  everyday in their homes,<br />
backyards, public parks, places of worship, schools  &#8211; pretty much<br />
everywhere except in the designated art spaces of our museums  and<br />
concert halls, where they happen infrequently.</p>
<p>The mechanisms that  we have inherited for the support of public<br />
culture were inspired by the  practices of the fine arts economy of<br />
the first half of the 20th century, and  were designed to validate<br />
curatorial authority.</p>
<p>This is the top-down  version of culture.</p>
<p>Financial and programmatic decision-making is vested  in highly-<br />
trained, credentialed individuals who are positioned to  determine<br />
what the entire community should see, hear and experience.</p>
<p>Cultural Democracy requires a paradigm shift away from this curatorial  model,<br />
and towards a process of continuous and intense community  engagement,<br />
using culture as a catalyst for addressing social issues: art of  the<br />
people, made by the people, and presented for the people.</p>
<p>James  Bau Graves is Executive Director of the Old Town School of Folk<br />
Music, in  Chicago, Illinois, the largest community school of the  arts<br />
in the United  States.</p>
<p>His work is focused on  exploration of the personal, political, aesthetic and<br />
ethical issues  embedded in the concept and practice of public culture.<br />
He is the past  Director of the Jefferson Center Foundation, in Roanoke, Virginia,<br />
and  co-founder of the Center for Cultural Exchange in Maine, where he  facilitated<br />
the creation of an extended series of programs, in  close<br />
collaboration with community groups and artists, addressing  grass<br />
roots cultural aspirations, questions of identity and  social/<br />
financial power relations.</p>
<p>Bau&#8217;s work as a field researcher,  arts presenter, community organizer,<br />
project manager and tour director has  been prolific, winning numerous<br />
awards from the National Endowment for the  Arts, the Wallace Foundation,<br />
Americans for the Arts&#8217; Animating Democracy  program, the Rockefeller Foundation,<br />
and many others.</p>
<p>Bau has  performed and recorded with several jazz and<br />
traditional music ensembles, and  composed original scores for two<br />
collaborative projects with dancer/director  Ann Carlson. He holds a<br />
Masters degree in ethnomusicology from Tufts University, has<br />
published essays  concerning cultural issues in both the academic and<br />
popular press, and has  appeared on and/or produced numerous<br />
recordings.</p>
<p>Bau Graves&#8217; first  book, Cultural Democracy, was published<br />
in 2005 by the University of Illinois Press.</p>
<p>For more  information, please visit <a title="http://www.loc.gov/folklife/events/" href="http://www.loc.gov/folklife/events/" target="_blank">http://www.loc.gov/folklife/events/</a><br />
botkin-lectures.html#july22  or call 202-707-5510.</p>
<p>Jo Rasi<br />
American Folklife Center<br />
Library of Congress<br />
<a title="mailto:jrasi@loc.gov" href="mailto:jrasi@loc.gov">jrasi@loc.gov</a></p>
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